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Showing posts with label Leon. Show all posts.

May 28. Total humiliation apprentice.

Unfortunately the guard forgets to wake me up at 3am, so I leave at daylight. A local bus takes me from Leon to another town in Nicaragua. And yet another one. I sit in the buses and think about my life, my next big trip, the people I love and want to see again. Seeing the beautiful landscape through the bus window, repeating hopeful thoughts and considerations over and over again, it makes me kind of happy and sweaty. I am moving, at least not standing still. It depends on your perspective you say, and my perspective is moving I say.

The border with Honduras. I experience TOTAL HUMILIATION. As I get off the bus many annoying guys offer me a taxi ride to cross the bridge into Honduras. An old man is pulling my arm. What's the price? Just a propina, a tip, they say. I hop on and they ride me across the bridge. I could have walked. Money changing: a guy - their conspirator - shows up with a bundle of banknotes. They tell me it's not like the Costa Rican border here. There's a house with a man and a woman and it's all very official. They kind of force me to change some money. I give him a twenty dollar bill and tell him I only need fifteen changed. He does that and gives me a pile of Hondurean banknotes. I trust him, and I really can't tell you why. We move on, I sign at a provisional desk that I've no symptoms of flu, show my passport, pay the entry fee for Honduras, all in the company of the friendly taxi drivers. The want to get paid. They won't leave without my "tip". I really liked one of the guys and since I wanted to sort out a t-shirt I give it to him. It's a good t-shirt. He puts it on without any sign of gratitude and insists his buddy receives a dollar too. They disappear quickly and I ask about the exchange rate. It's way higher than what I got. I am ripped off again. In exactly the same way, after I swore never to let it happen again. I feel dizzy. It is so humiliating. There is a component of anger: May they burn in the darkest chambers of hell, may their progreny be cursed until the thirteenth grade, that kind of stuff. But anger is not very nice. Wait a minute! I can learn from this. I breath quickly now. In and out, puffing. I can cope with it. It's - ah! - just a humiliation. Be peaceful. Phlegmatic. Quiet. This can teach you so much. Don't you want to be like the Buddha? If this doesn't make you incandescent with hatred, as DJ would put it, nothing would. So I put on a smile and think about how this event can bring me further on my path towards wisdom. And, after all, ha! that's much more than these few dollars.

That's the kind of adventure the average traveler will tell you about (perhaps he tells he story a bit differently than I do): getting ripped off, stolen cameras, sunburns, missed flies and a leaking tap in the hotel room. That's what happens when you're traveling. O o, the world is so dangerous. I once heard a traveler speaking about the climax of his trip to central America: he was supposed to sleep with a prostitute in Costa Rica but she didn't show up. The next day he reads in the newspaper that she'd been murdered. Of course, that's something else. It pretty much defines your trip. But if you can't remember anything more exciting than a rip-off by a money changer at a border crossing, you better rethink why you're traveling in the first place. It's not that you have to travel dangerously. It's just that I want do things that have more complicated intentional structures than the usual "get optimal pleasure and optimally avoid pain". I'll come back to that later.

Yves from Mulhouse is a history teacher and fervent world traveler. We travel through Honduras together and have a nice conversation in Spanish. When we arrive at the El Salvador border he takes the bus straight to Guatemala and we say goodbye. The border crossing is funny by the way. I walk across the bridge (as you notice, most border crossings are bridges here) with a take-away meal from Honduras in my hand. I am asked where I stay and I say with a friend, since "couchsurfer" is not as well-known as it should be. Fortunately enough I remember the name of my couchsurfer and I'm trusted into El Salvador. I try to hitchhike again and it feels I'm back in business. The big trucks and the smell of diesel make me feel good. It's not easy to get a ride though and there is some private accomodation available I decide to make use of.

Carbage. I throw the bag with the plastic plate of my Hondurean meal away like a good citizen. A dog takes the bag out of the barrel I had thrown it in and runs off with it, scattering the plastic bags and napkins all over the place like pimples on a adolescent's face. Sometimes we should just care less.

I look around for a place. Again, I let my frugality generate some interesting events, and I see a weird guy on the street (grey beard, triple my chin flax) and as soon as I sit next to him he starts rattling about a variety of totally unrelated subjects. I try to reconstruct his account of life here, the way he delivered it for free upon my asking if he knows a place to spend the night:

"The Spanish language is getting too old now so there are no words for many things in the machine. Then: it is important know the machine for development in the mind. Then: we are floating around sometimes we use the Los Angeles police number too not always but sometimes you have to ask them to get a ticket if you want to. Then: in Spanish many words no exist and also the pharmacy for example you go to a pharmacy it is not possible in the Spanish. Then: it is very much important to call everything by its right name we have many parts of the machine we don't know how to use and how to produce, I mean, food and flour and milk for the machine is not in Spanish. Then: there is a big asteroid and we are floating on the sky sometimes the asteroid attracts the earth, yes, and sometimes repels it for that reason it is very important know the pharmacy. Then: we work with the Los Angeles police sometimes, not always but sometimes they give the number where to go. Then: the Spanish language constructed for emotions and not for expressing the machine or pharmacy. Then: the parts of the machine have different names how to operate it sometimes our police helps too but not always you have to call Los Angeles police they have numbers you know, it's important. Then: we are floating there is one dark asteroid it attracts the earth and repels just like that is the pharmacy to go do you understand? Then: we develop technology for the land and the machine to make food for the people it is very much important. Then: -"

His name is Maximilian, and I bet he is lonely. All characters have the name they are supposed to have here. I'm living inside a story here...

A woman offers me a hammock in her home for seven dollars. I wait in her roadside store for her to close away her things and take me home with her. Marvin, a Nica truck driver, comes to have his meal. His left hand is one of the few reminiscences from the civil war that waged here in the eighties. His middle finger is mutilated. He eats his meal and tells about his life on the road between Nicaragua and Mexico. Then he asks me what I do.
"I'm a writer."
-"Then you have a problem."
"What's that? No dinero?"
-"No, you writers are always busy writing, thinking only about writing as your first priority. It is a problem if you get married. Because women need a lot of attention."
"Ah, I see. So I guess I'm not a real writer then. I want my wife to be the most important thing in my life. How is that for you?"
-"The most important is God, he comes in the firsts place. On second place is myself como hombre; my wife is third and my children come in the fourth place."
"And your work?"
-"My work? Ah, in the ultima posición."
"I like that. Working is only temporary."
-"Yes, and what really matters is for eternity."

The woman that offers me a hammock (and a bed without a mattress) is living with her 75-year-old father. I see an old man in the porch, lying in another hammock and hissing at their three brown dogs. The house is a total chaos. The pungent smell of dog faeces; the dusty cobwebs all over the concrete ceiling; the rusty machetes lying around; the burnt-out vanilla candles; the old furniture piled up against the wall; the corroding iron doors; the laundry drying on dirty lines in the middle of the room. And amidst all that the all-encompassing love of a solitary woman for her senile father. Yes, and what really matters is for eternity.

I sleep well in that hammock.

May 27. Contact.

Leon is nice and calm. Nicer and calmer than Granada. It's an interesting comparison if you the cousins of them in Spain. The people of Leon are so proud of their place, so you better not mention the Alhambra. I walk around town looking for the museum of Ruben Dario, and unfortunately I cannot find it. I nourish myself with icecream and coconut pastry until I suddenly see a French bakery offering real croissants.
"Vous êtes français?"
-"No, but he is."
There is an older and balder man smiling. He has traveled a lot in his lifetime and starts telling about Africa and China. He never wrote anything though, he just sticks to bread. Bread that tastes pretty good or rather - with the aid of the unexpected surprise of finding it here - is absolutely delicious. It seems such an innocent cultural export product to me, the culture of bread. Having a little bakery in a small street of Leon, Nicaragua, proudly offering French bread to tourists like me and the locals, I find it less aggressive than when he was offering cars or electronic circuits. Here's why. There is no imaginative sign "eat bread everyday" in the window of his shop. Such a sign might be saying "hey, what about a croissant every once in a while?" Nothing like the huge imaginative neon-lit billboard that is installed as soon as a carmaker or electronic-circuit-producer open in a new country, saying "drive H*nda every day", "become dependent on your F*rd just like everybody else", "drive to work with your T*y*ta to pay for it". I might be wrong, as I often am, but please consider the theory of the alternative window sign. My French host asks me why I seem so absent.
"O, nothing, it's good to be in a real French croissanterie again, it feels like home."

Afternoon: I write in Cafe Latino, as heavy rain pours out of the sky and I stay here with my computer until it's dry again. Have dinner in another friendly comedor that is still open and serves a delicious melonshake. I go to bed early. I plan to take the early bus to San Salvador tomorrow. It will be another tough ride crossing through the country of Honduras and I need my sleep. But I don't leave you without a little dialogue.

Consider this: CONTACT.
"Shall we begin?" the antihero says eagerly.
-"Yes, tell me what you've got. I play the role of the listener-redeemer."
"It is... how can I put it... there is no entrance."
-"Try harder. No entrance is not what you pay me 70 bucks an hour for."
"It is... maybe this... you cannot even begin to imagine the darkness of my soul... but I know, I know, I'm expressing myself suboptimally again."
-"You enjoy to scare people don't you?" The listener-redeemer yawns.
"That's not it. I try to express the real me", the antihero says.
-"And why is that so important?"
"It's what we are supposed to do, I mean, as human beings."
-"And you got that from some book or something?"
"No! No! Everybody knows that. It's the cure for loneliness. We all have to express our inner self."
-"You don't need to express yourself to me pal, you need to get laid." The listener-redeemer gives him a wink.
"Pardon me? I don't pay 70 bucks for this type of advise."
-"Well, I'm giving it to you anyway." He looks at his watch.
"Okay, maybe I'll do that, but please let me try to express myself to you first."
-"I won't hold you back."
"Well then, it is... you are so far from understanding even the tiniest bit of the dark forest of my inner angst."
-"You see. You can do it."
"What?"
-"We're getting closer."
"Rubbish! You'll never get any closer to me. It's not possible" the antihero mumbles cynically.
-"Okay, I know, but keep trying" the listener-redeemer laughs.
"Good. You know something about spelunking?"
-"Yes, it's a hobby of mine. I like to bring cured clients to explore some natural depths after all those mental depths."
"Good. You are in a cave looking for the real me, but you are in the wrong cave, at the wrong time, looking the wrong way, and you wear the wrong shoes. All wrong! Lightyears away from the obscure loneliness of my soul."
-"Keep going."
"You are walking on slippery rocks, bats are everywhere but they don't scare you with all your professional experience, they can scream you wouldn't notice and and you feel so good with your flashlight like a real hero you light every stalagmite but I'm not there. Keep going! Keep going! you say with this disdainful smile on your moist red lips. You think you'll find me but you are so far off, pal."
-"Well done. I'm proud of you. You can do it. We're almost there."
"No, we're nowhere! And especially YOU are nowhere. Don't you see you're absolutely lost in this cave. I just told you about it. I told you. I told you. Ha! Can't you see how lost you are?"
-"Good job. I think I understand you now. You see? Your 70 bucks were well spent this hour. Speaking of which: time's up" the listener-redeemer says.
"O horror! Must I pay for your totally wrong idea of me? Shame on you, I don't want this. I don't want you" the antihero yells.
-"You can pay next week, when you've calmed down" the listener-redeemer continues calmly.
"Yes I will pay you next week, and you know how? I'll pay you with a bullet! That's how. My dad has a gun, a very big gun to hunt game you know, and I'll bring it and shoot you. You think I can't do that don't you? Like everybody else."
-"I think you're perfectly capable of it. I've signed some life insurance policies so I'm prepared. I'm not afraid of you. You are afraid of me."
"You keep pestering me. I am serious. I will bring the gun."
-"Does your dad approve?"
"Ah! So you think you can get me on that? You play your dad-tactics like you studied them with your stupid books? I see what you're doing. But not with me you don't - my dad would have approved of it."
-"Well. See you next week then. Don't forget the gun."
"You're playing a game with me! You don't take me serious."
-"I can take you serious. Just pay me another 70 bucks."
"Okay okay, I'll pay. Just take me serious, please?"
-"Continue."
The antihero sits down in his chair and stares absent-mindedly as the listener-redeemer pours himself some whisky and makes himself comfortable on the couch.
"So you see... you cannot even begin to imagine the darkness of my soul, the immense loneliness and pains I've been through during my life. Nothing, nothing you and anyone like you can ever discover about what's going on in the unfathomable depths of my mind."
-"Mmmm. Mmmm."

May 26. To Leon, to Leon...

In the middle of the night, I can't stand it anymore. The mosquitos, that had shown their nasty presence as tactile fury yet had remained invisible to my eyes, got me jumping out of the bed and into the television room. My feet recover quickly and I perceive of the Irish guy that hangs on the couch zapping his way through what nocturnal Nicaraguan tv has in store. A bottle of four year old Flor de Caña lies under the table. When I join him on the lopsided cushions he askes me without turning his head:
"What's your name where you from?"
His Irish accent (he is from Cork) is not so easy to decipher and when he starts mumbling away - face to tv - later on in our conversation I do my best to pretend I understand what he is saying.
"Doing Central America as well?"
Yes, I guess so. I am doing Central America. Like you do a whore. Getting all over her, leaving scratch marks everywhere, consume the prettiest features of her body, the lagunas, the volcanic mountains, the Aztec and Maya ruins, the colonial towns and enjoy the cheap beer. To make things easier, I admit I am doing her as well. In reality, as I hope to proof some day, I'm up to much more. I want to take the artistic road. The villagers on the street market with yellow bananas laden on a truck - I want to capture them in precise and pretty words. The indians in their unspoiled habitat, fishing from their wooden canoes like their great-grandparents used to do - I want to portray them as honestly as I can. The natural splendour of the subcontinent, the small lizards that shoot away when I ascend on a mountain path - I want to write down their given names. But I don't want to make things sound too complicated. So I'm just doing her, yes.
"How did you get the money to travel?"
Pardon me? Always this question. Do I have to be ashamed of my ability to save money? I explain the guy you can live on a budget while traveling if you don't drink so much and couchsurf frequently. He seems to get it. Still, I don't think the question is appropriate, not among total strangers. He continues educating me about documentaries.
"Loose change is good. And Zeitgeist. And I saw a documentary about the moonlanding. Do you believe human beings have landed on the moon?"
Or is it all a nasty complot? How SOOTHING a thought! We are smarter than history, smarter than schoolbooks, teachers, smarter than anything official! We are little gods, knowledge is the nectar we slurp straight from the internet, it makes us smarter than our neighbours, and comfortably ignorant of the fact that our neighbours are also smarter than us. I answer I couldn't care less about people on the moon. It doesn't affect me. That is the right answer in the quiz question. Bells ring, flashlights flash. The Irishman says:
"You got a point there."
I got a point not being interested in the moonlanding because it doesn't affect me. I should add that nothing affects me and hence I have no real interest at all (apart from writing and making love, so perhaps I should write about making love), but I don't want to bother the guy. Why should I? I think our most valuable asset is genuine interest in something, anything. And I have a metaphore for it. Imagine a thread from your soul towards that certain thing, and imagine it is extended all over some nice place, that it connects you only with that certain thing via a large amount of pivots and pegs. You'll keep following that thread over and over again and in the end you will recognize the pivots and pegs were the real thing. If the line from your soul towards that certain thing is too short, and it doesn't contain any junctions, that's - according to the metaphore - a sad thing. It's a suitable description for drug addicts and the like. I took a sip from the Irishman's Flor de caña and went back to the couch that replaced my hammock, using the hammock as a blanket to protect myself from the moscuito's.

In the morning, I get some doughnuts on the street, and have a good breakfast in a place called "Los Bocaditos". It feels good to write again, after a day of pure laguna leisure. And I haven't been afraid yesterday about my muse leaving me for twenty-four hours. Let her play as freely as we play ourselves. Don't attach strings to her, we'll end up moving like marionettes ourselves because that's the logic of freedom. The world is the Ultimate Theater, so we should make sure it doesn't look like a just another Theater. Simple enough.

So I'm back in business. I am eager as ever to collect hilarious and heart-warming stories to unite mankind. I am getting on the "chicken bus", as the 20-years-old Bavarian traveler Simon calls it, to Managua. Bus to Managua: guy called Jonathan, seemed older than me, but he was only 25. He had three kids, with two different wifes, he wasn't together with them anymore. He worked as a legal controller of some kind, for companies for a salary of 200 dollars. 80 dollars for rent. He had this sad look in his eyes. Lived in an apartment alone, the mother of his children lived in his house, as I understood.

In Managua, the surrounding of the bus dropoff-point was a bit sketchy. I am the only gringo, and I am about to make a very painful mistake. Because so many people have warned me for the ferociousness of Managuans, I want to free myself as quickly as I can from the taxi drivers that storm to the minivan when it arrives.
"Taxi, sir? Ticabus, center, hotel, economico."
-"No, no, no. Dejame solo."
"Taxi, you need taxi sir."
-"No me molestas!"
One of the guys is particularly insisting, and keeps following me. I get angry with him.
-"Quieres que llama a la policia?"
"Tu pasaje por el bus, el bus..."
-"Mira, Usted me esta molestando..."
"El b-u-s..."
-"O... perdon, mil veces perdon senor, dicculple, aqui tiene quarenta Córdobas."
I've forgotten that I still have to pay my bus. It was so painful. I make up for my mistakes, repeating my sincere regrets and asking for the long distance-bus terminal. There are no buses for the day, so I decide to continue to Leon. Another bus takes me, I have my backpack on my lap and talk to a friendly mechanic.

In Leon, the friendly mechanic accompanies me to a hostel called "bigfoot", the Lonely Planet Hostel of the year 2006, and the first hostel I've been in with a free pool in the patio. It is great. The travelers stick together though, and I don't really feel like any more tourism. I want to get to know the view from within - at 9pm Rolando, the friendly mechanic, shows up at the hostel and we have a few beers together. In the course of a smooth man-to-man conversation, I learn some essential things about the country.

Rolando is 35, married with children, two boys age twelve and eight. He is particularly proud of his youngest sun , astronomy genius. buy laptop computer, guitar. Invites me for a beer, the Tona is the best in the world. Much better than Heineken, we agree upon that. It has been some time he had a night out, I understand. He is really friendly. We speak about girlfriends, traveling, the education of our children, international beer, the economy crisis, Obama's rhetoric, women. I can see myself sitting there, at that bar in the town of Leon, talking to a new friend over a bottle of cold beer, just being a new guy. I love this kind of conversations.

We walk back to the hostel, or rather, he walks me back because I have lost my sense of orientation even after two beers. You can do volcano boarding here, it's a unique sport invented by the American who runs the hoste. It means sliding off a steep volcano slope, getting all covered in dust as you make your way down at dazzling speed - but I like my conversations more.
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