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Showing posts with label Hemingway. Show all posts.

August 29. Young woman and the sea.

A short retreat is what I need. I am working on a perfect spot. A Greek island, the quietest of the Sporades, and I hope to catch up with my writing. It's just a feeling of being "on schedule" and I won't bother you with it. If there is something interesting to say I'll say it. But since it has become too much of a play, there might lay a virtue in silence today. A silence taught by the pretty face of nature surrounding us. A silence that doesn't lull your mind to sleep but keeps her awake as a pair of eyes on a sunny afternoon, with their lids tense.

We do nothing. I write many hours. I would have loved to explore the island, go on a tour, feel the wind in my hair, that sweet symbol of freedom. But there is something deathlike in the air; nobody can do anything about it.

The young woman and the sea.
She takes a few steps into the water and we see her standing there, long curly hairs reach her shoulders, playing gently in the breeze that comes from behind the island. We think she is contemplating the sea and it seems to us some sort of communication is taking place between the young woman and the sea, some invisible exchange of thought that make us step back in reverence. All of a sudden she disappears into the waves and a short moment later we see her black hair that is wet and straight now moving off the coast. The young woman stays in the water for a long time and we we cannot help feeling a slight shiver traveling over our back when we think of how her back must be cold and her skin wrinkly. But even from a distance we can see her smile and then, as sudden as she went into the water, she comes back. We drape a towel around her shoulders and see how she smiles in a way only the sea can teach us.

June 26. MJ.

Outer space, comin' in. Got some Joycean interminglings here, I'm gut at it. Get rugged again, ruggged and tough like Miller and Hemingway and thick-fingered writers with a typewriter in a suitcase with a strong smell of leather. I want more words, more sounds, braid and weave them to a napkin of language you can blow your nose and blow your mind. What is the strength of prose? I mean not its effect on society, its influence as a text that may becomes be canonical. I mean cramming words and connections and associations, commas, dashes, transliterations of sounds, lulls, cramming it all into a few sentences to leave the reader stunned and to change him. To tore his identity as a reader to pieces and challenge him to build it up again. To make him jump smile cry laugh and be good.

In one of the many coffee place I write here, I see a jacket on a chair and think some guys left it there. I see them walk out the door, think not a second, pick up the jacket and follow them, "hey is this yours?" Another guy comes running at me and grabs my arm. I am wrong. It is not the jacket of the businessmen who left. It is the jacket of that other guy who was just ordering his coffee. I apologize and - he apologizes too. Remember I am in Asia. We have a short conversation about cultural deference and difference, about working in coffee places and reserving your seat by putting your jacket on it.

I have a delicious dinner and then a long walk home, enjoying a detour through Namsan park with its soft green road made of rubber. I am singing Michael Jackson songs because he died yesterday.

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